2020. 3. 1. 10:51ㆍ카테고리 없음
It is always exciting when a vocal student is ready to start studying his or her first operatic aria! One of the best things about being a classical singer is knowing you have so many great years ahead of you. After all, you’re considered in your prime in your 40s.That being said, realize that the voice you have now and the repertoire you’ll first study will be very, very different from what you sing later on in your career. It’s absolutely crucial that you sing repertoire that is not too heavy for your young voice, or you may damage it.Fear not — here is a list of some of the most beautiful opera songs, organized by the different. Keep scrolling below the video to find even more options!
Opera Arias for Sopranos “L’ho perduta”This cute little aria is from one of Mozart’s greatest hits, “The Marriage of Figaro”. The character singing it is Barbarina. Believe it or not, the soprano who first sung this role was 12 so this is indeed suitable for a young singer with operatic aspirations!“O mio babbino caro” from Puccini’s “Gianni Schicchi”This is another short but wonderful aria that everyone knows and loves. It’s beautiful and perfect for a lighter, lyric voice. Do be careful to avoid dragging the tempo: many sopranos have taken it too slowly.Opera Arias for Mezzo-Sopranos “Voi che sapete” from “Marriage of Figaro”This charming aria, sung by the page boy Cherubino, is a terrific intro to the “trouser roles” often sung by mezzos. With a lilting melody and a chance to show off some chest voice, it’s a true winner.“Must the Winter Come So Soon?” from Barber’s “Vanessa”This is a beautiful aria from an American opera that is not performed too often. It may not be a long aria, but the vocal line is gorgeous.
It’s essential that young singers prepare a few arias that are in English.Opera Arias for Baritones “Se vuol ballare” from the “Marriage of Figaro”Let’s face it: this opera has an aria for everyone! This aria, sung by Figaro, is a solid choice for beginning baritone.
It’s a perfect moderate tempo — and also has a few high notes.“Vecchia zimarra” from Puccini’s “La Boheme”It may be another short aria, but it packs a powerful punch since it’s from a very dramatic opera! This one is a favorite for a reason. Puccini didn’t write an awful lot for baritones!Opera Arias for Tenors “Quanto e bella” from Donizetti’s “ L’elisir d’amore”This moderate tempo aria is ideal for a light lyric tenor! The character is the lovestruck Nemorino, and this opera song has been sung by many of the greats, including Luciano Pavarotti.“Lonely House” from Kurt Weill’s “Street Scene”Weill’s music may be challenging to learn, but this haunting aria suits a young singer’s voice. This aria will also give a strong actor a chance to set himself apart from other tenors that just want to stand there and sound pretty.Want more song recommendations by voice type, beyond opera?
Check out our, including best picks for auditions, talent shows, and gigs.Your is another great resource for suggestions. He or she will undoubtedly have many more ideas for you. If classical singing interests you, it’s very important to be working with a voice coach, as opera is a lot tougher to sing than many.Have fun exploring the rich and wonderful world of opera! To continue learning, check out our!Readers, what are your picks for the most beautiful opera songs?
Let us know in the comments! For baritones. Be vary Careful, these arias are all over the map. Neither of the ‘baritone’ arias are sung by real baritones. The Marriage of Figaro, its a bass baritone ( yes professionally there is a huge difference), and the La Boheme aria is for lyric Bass. Singing these will, not be good for your voice.
In fact it could cause harm to sing out too much in the wrong area of your instrument. I am a working Baritone, and of course this is just my opinion. I would not recommended any of these for a young baritone. Since i am not any of the other voice parts, i cannot comment on them.
Opera Arias Youtube
This is just some feed back about the baritone selection, from a baritone.
Opera Arias Rapidshare Full
Nuria Rial is one of the leading baroque soloists and is famous for her shining, crystal clear and beautiful voice. In this album she sings, with the world famous Kammerorchester Basel, nine rarely recorded German arias by Georg Philip Telemann. They are taken from rarely performed operas by this underestimated baroque composer: 'Emma and Eginhard', 'Der geduldige Socrates' and 'Germanicus'. The aria 'Komm, oh Schlaf' from the opera 'Germanicus' is a world premier recording, the scores only being found a couple of years ago in Frankfurt.
The disc also includes two violin concertos from which the Overtures to “Emma und Eginhard” and “Der geduldige Socrates” are taken.